I combine my experience across genres in music and post-production audio to specialize in game, streaming, and film score mixing and supervision, with clients including Arenanet, Disney, Netflix, SyFy, and Amazon Prime. I’m passionate about how Dolby Atmos can be a tool of expression for soundtracks, thrilled to be part of the ECHO PROJECT workgroup, and recently gave workshops in this field at the AES Immersive Conference, Huddersfield University, UCL, ACM, and Metropolis. I’ve also been in residencies with score mixing OG’s Alan Meyerson and Shawn Murphy, done the rounds in London and LA, and with a fantastic team have garnered over two dozen industry accolades such as Global Music, Songlines, Emmy Primetime, SAMA, FrightNight, Game Of The Year, Tribeca and SAFTA awards. I have a research master’s degree in immersive score production from Hertfordshire University, lectured for 14 years, write trashy sci-fi and play a bewildering array of “world” instruments. Also, a kitchen hobbit and keen wine collector (and pair wine with scores!)